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Dane (3)\nB1  Crveni tepih za jesen\nTekst by \u2013 Neil Pivar\nNapisao \u2013 Andrew McCrorie-Shand, Neil Pivar\nB2  Zora ve\u010deri\nTekst by \u2013 Neil Pivar\nNapisao \u2013 Andrew McCrorie-Shand, Neil Pivar\nB3  Shangri-la\nGlazba po, stihovi po - Dane (3), Neil Pivar\n.......Poredano po [svi naslovi poredani po] - Druid (3)\nUre\u0111eno [Zborski aran\u017emani] \u2013 Andrew McCrorie-Shand\nBas gitara \u2013 Neil Pivar\nDizajn [dizajn poklopca], Umjetni\u010dka djela \u2013 Adrian Sadgrove\nBubnjevi, udaraljke \u2013 Cedric Sharpley*\nIn\u017eenjer \u2013 George Nicholson\nGitara, vokal \u2013 Dane (3)\nTipkovnice \u2013 Andrew McCrorie-Shand\nLak izrezan po \u2013 RJL*\nProducent \u2013 Bob Harris (6)Ovo je vrsta albuma koji mi daje pravi problem uva\u017eavanja, Sam po sebi, ovaj bend ima sve \u0161to me mo\u017ee zadovoljiti u instrumentima i mogu\u0107nostima, ali bez jednog glavnog sastojka: personnaliteta . Ovo je klon bend i gledaju\u0107i datum snimanja vjerojatno majka svih klonova zajedno s Fruupom, a gledaju\u0107i kasnije godine u progu mo\u017ee se samo bojati G M O u poljoprivredi samo gledaju\u0107i \u0161tetu koju su napravili klonovi u prog . Samo se \u0161alim, ali reallt to dokazuje da su i tada nenadahnuli glazbenici (iako dobri u mnogim aspektima) napravili plagijat. Ako je Fruup bio vi\u0161e klon Genesisa , ovaj skandalozno plja\u010dka Da , a ne donosi ni ni\u0161ta novo u glazbu. Da su uzeli glazbu Da kao bazu da rade ne\u0161to drugo i donesu je dalje i pro\u0161ire je , mogao sam im oprostiti (Starcastle je jo\u0161 jedan od ovih primjera) i mo\u017eda \u010dak biti impresioniran njihovom drsko\u0161\u0107u, ali ovdje , \u017eao mi je , ni\u0161ta sli\u010dno. Ovaj album je pun Da slika i planova, a drugi broj po\u010dinje kao rip-off Ki\u0161ne pjesme iz Zepa. Ali barem sam po sebi ovaj album ne vrije\u0111a taj bend , kao neke od tih 90-ih grupa. Ovo je vi\u0161e nespretan i pogre\u0161no inspiriran album koji je mogao biti dobar tribute album, ali svakako ne kao vlastiti opus. Ne \u017eelim biti zao , ali ve\u0107ina prog fanova trebala bi imati bolje kockice / prosudbu na tim albumima i odbaciti ih jer uspjeh takvih albuma mo\u017ee samo potaknuti plagijat i lijenost kreativnosti, kao i napraviti prog samo jo\u0161 jedan industrijski proizvod koji \u0107e se kopirati i \"bootlegged\" (ako mi dopustite zlouporabu tog posljednjeg izraza).This is the kind of album that gives me a real problem of appreciation, In itself, this band has everything that can satisfy me in instruments and possibilities, but without one main ingredient: personnality . This is a clone band and looking at the recording date probably the mother of all clones along with Fruup, and looking later in the year in the prog can only fear G M O in agriculture just by looking at the damage done by clones in the prog . I'm just kidding, but reallt proves that even then, uninspired musicians (albeit good in many respects) made plagiarism. If Fruup was more of a Genesis clone - this scandalous heist Yes - and it doesn't bring anything new to the music. If they had taken yes music as a base to do something else and bring it on and expand it , I could have forgiven them (Starcastle is another of these examples) and might even be impressed by their audacity, but here - I'm sorry - nothing like that. This album is full of Yes pictures and plans, and the second number starts as a rip-off rain songs from Zep. But at least in itself this album doesn't offend that band - like some of those '90s groups. This is a more clumsy and misplaced album that could have been a good tribute album, but certainly not as its own oeuvre. I don't mean to be evil , but most prog fans should have better dice / judgment on these albums and reject them because the success of such albums can only encourage plagiarism and laziness of creativity, as well as make prog just another industrial product that will be copied and \"bootlegged\" (if you allow me to abuse that last phrase). 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